To celebrate the bicentenary of Alexander ‘Greek’ Thomson‘s birth a programme of events and activities have been planned to take place throughout 2017. We will continue to update this calendar throughout the year with more and more exciting events as these are confirmed so please keep checking back. You can also sign up to our e-mail newsletter here to stay up to date.
Apr
14
Fri
The Easter bunny has hidden clues at lots of National Trust for Scotland places!
Collect your hunt map, follow the clues, solve the puzzle and claim your chocolatey reward! Each hunt is completely different – the perfect excuse to hop along to more than one!
£2 per hunt (Usual entry prices apply if you’d like to visit the house)
Apr
15
Sat
The Easter bunny has hidden clues at lots of National Trust for Scotland places!
Collect your hunt map, follow the clues, solve the puzzle and claim your chocolatey reward! Each hunt is completely different – the perfect excuse to hop along to more than one!
£2 per hunt (Usual entry prices apply if you’d like to visit the house)
Apr
16
Sun
The Easter bunny has hidden clues at lots of National Trust for Scotland places!
Collect your hunt map, follow the clues, solve the puzzle and claim your chocolatey reward! Each hunt is completely different – the perfect excuse to hop along to more than one!
£2 per hunt (Usual entry prices apply if you’d like to visit the house)
Apr
17
Mon
The Easter bunny has hidden clues at lots of National Trust for Scotland places!
Collect your hunt map, follow the clues, solve the puzzle and claim your chocolatey reward! Each hunt is completely different – the perfect excuse to hop along to more than one!
£2 per hunt (Usual entry prices apply if you’d like to visit the house)
Aug
18
Fri
Aug 18 @ 10:00 am – Aug 21 @ 4:00 pm
Things as they are/as they ought to be is an exhibition of works spanning sculpture, film and textiles by artists Olivia Jones and Alberta Whittle. Taking place inside the ruin of Alexander ‘Greek’ Thomson’s first church, the building’s context and style have acted as catalysts for conversations surrounding memory, history and appropriation between the curator and contributing artists. Experimenting with the tensions around dominant/collateral narratives and attributions, Jones and Whittle’s work seeks to explore such pressures and focus on historical interpretations or connotations that are often neglected.
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